2018 – Year In Review

As I look back on 2018 after having a full week to reflect, it’s hard for me to really put into words what 2018 meant to me. I was blessed to travel to Paris with my family in March and spend my daughter’s 11th birthday at Disneyland Paris. During the Summer I traveled through Oregon, Washington, Idaho, Kansas, Wyoming, Nebraska, Utah, and all over Colorado. During the Fall I went to Iceland for 8 days with some friends. 2018 was simply filled with so many enjoyable moments and memories that there is really no way to put it all up here in a single blog post.  I asked my Facebook followers Facebook Fan Page if they would rather have me post my 10 best images or my favorite image from each month. They chose to have me do 1 from each month. While social media can be annoying sometimes, I still respect what my followers say and value their opinions.

I hope you enjoy these images as much as I did creating them. With each image you will find camera exif data and a description of each one. Please note that while I am doing a lot more composite imaging these days for fun, I picked images that were either single exposures or focal length composites of real scenes. Each of the images I have picked to share with you are real images that you could see with your own eyes…Not, just something I came up with in my head.  I know there are a lot of people who are inspired by other photographers so I wanted to make sure I only shared images that you can create yourself, should you choose.

January

fire and ice 2
Nikon D810, Sigma 20mm 1.4 Art, ISO 64, F/7.1, 1/5th second

Chatfield Lake State Park is only a couple of miles from my home and more times than not, it’s my “go to” spot when I just need to get a quick photography fix. We had a pretty good cold snap and the lake froze completely. As Colorado weather would have it, the next few days were very warm and the ice started to break up due to winds and water movement. These big ice chunks were layering themselves along the shoreline. When I arrived at this part of the lake I was happy to find some nice pieces that made for a good foreground. Getting the camera down low with a nice 20mm Sigma wide-angle lens let me take it all in and still capture the great sunset in the sky.

February

frosted rox
Nikon D810, Sigma 24-105mm Art, ISO 64, F/8, 1/100th second

Roxborough State Park is another park that I am fairly close to. I love to shoot these slanted rock formations at various times of the year. I would rather be outside than sitting in my house. After a few hours of heavy snow I decided to go take a drive and see what I could find. I loved the soft trees against the jagged rocks that were fading away in the distance.  Temps were in the single digits and the wind was blowing fairly good. I used my Sigma 24-105 Art lens at 90mm to bring this scene in closer and fill the frame.

March

bogue sunrise
Nikon D810, Sigma 14mm 1.8 Art, ISO 200, F/16, 1/160th second

Bogue, Kansas, Population 136

This was my 2nd of 3 trips to Kansas in 2018 and both the 1st and 2nd were much more pleasurable than the 3rd. I am a huge fan of the small towns across America that didn’t make it. I find the people who live in these towns to be very kind and gracious. They tend to like to talk about the history of the town and what happened.  This old building on the corner was a small shop of some kind, possibly a car garage shop. As we were walking by I noticed the sun coming up on my right. I thought it would be neat if I could get the sun coming up through the tree. It wasn’t till I got home I realized I had also captured the reflection of the old grain silo in the front window. The Sigma 14mm 1.8 Art lens allowed me to get close to my subject and still capture all that I wanted in my scene without any extras.

April

magic in the mountains
Nikon D810, Sigma 24-105mm Art – Sky, ISO 10K x 15 exposures at F/4, 15 seconds at 28mm – Mountain, ISO 100, F/4, 16 minutes

Rocky Mountain National Park, Milky Way Over Longs Peak was sure a sight to see. I had just got home from a workshop in Moab and I called up a couple of friends to see if they wanted to do a midnight hike in the snow and freezing temps to this spot that overlooks Longs Peak. They agreed and we made some final plans and off we went. Hiking the 1 mile up here is fairly easy in the summer but not so much when the trail is mostly ice and you’re going uphill. We allowed extra time that we knew we would need. In hindsight the uphill wasn’t so bad compared to coming back down. One friend slipped and almost went over the edge. We were able to get him up to safety and past the sketchy part of the trail. There are only about 45 days of the year that this image is possible when the Milky Way is right over Longs Peak. If you take into consideration things like work schedules, weather, and moonlight, realistically for most people this view is only seen for about 7 days total. I’ve seen this shot without any snow and I have seen it shot one time right after a big fresh snow…This image takes advantage of a setting moon which creates the shadow under Longs Peak.  I used a Tiffen Double Fog Filter at the time of capture to enhance the stars in the image.

This image is a combo of a blend and stack where I simply used 2 focal lengths and exposure times. Both images capture with the Sigma Corporation of America 24-105 Art Lens.
Sky – 15 exposures, ISO 10,000, F4, 15 seconds each at 28mm stacked to reduce noise. 
Mountain – 1 single 16 min exposure at 42mm, ISO 100, F4,

May

twisted universe
Nikon D810, Sigma 20mm 1.4 Art, ISO 6400, F/2.8, 20 seconds

Moab, Utah.

This big, beautiful old tree lines up perfectly with the Milky Way in April and May. It’s one of the places we love to take our workshop students who enjoy the tree as much as we do. Moab is known for having some of the darkest skies in the USA and it’s one of the reasons we love teaching there. Depending on exactly where you stand to shoot this tree it can take on many different looks. Having the Milky Way as a backdrop isn’t bad though!

June

milky way thermal pools
Nikon D810, Sigma 14mm 1.8 Art, ISO 3200, F/2.2, 15 seconds

Yellowstone National Park

My daughter and I did a 3500 mile road trip from Colorado up to Yellowstone and then back down into Kansas. We enjoyed all the sights, animals and even visited the geographic center of the USA (more my bucket list item than hers). During the day we would explore and see the attractions but at night it was my time to do my thing.  Seeing these thermal pools in the day was great and I am glad I got to experience it with her. At night when all the people returned to their hotels, I could get out and shoot. Very peaceful at night with a faint bubbling sound of the thermal pools. I really enjoyed shooting this image as our nearest neighbor, Andromeda, rose up behind the trees. It was a beautiful night in a beautiful park.

July

hug point mist (1)
Nikon D810, Sigma 24-105mm Art, ISO 64, F/9, 30 seconds

Hug Point, Oregon

Heavy mist and fog can do amazing and crazy things to the visual surroundings you see. The fog was laying on the beach like a first time tourist to the tropics. It just wouldn’t go away. The Sun was getting lower and lower and everything was this odd grey/silver color when all the sudden everything lit up. I looked to my left and saw there was a small break in the fog that the sun was coming through. It was more like the sun was shining through a thin layer of fog, not really a break. I scrambled around and found this composition and began shooting. The light lasted a couple of minutes and was gone.  Having lived on the Oregon Coast for many years, I really feel that this image summarizes what the Oregon Coast is all about. Hazy, Foggy, some sun, damp and yet extremely refreshing.

August

mountianous majesty
Nikon D810 Mountain -ISO 64, F/2.5, Sigma 24mm 1.4 Art, 30 min exposure. Sky – 20 images stacked, ISO 8000, F/2, 6 seconds, Sigma 50mm 1.4 Art

Mount Rainier National Park 

Finally able to check this off my bucket list and it feels good but I know I’ll be back to see it again. We were on the tail end of our 6 week journey through the Pacific Northwest. Many months earlier I had made plans with a friend to come up and shoot this scene with them. We were treated to a wonderful sunset before it got dark and the stars came out. We picked this location based on where the Milky Way would be as we knew we wanted to get it over the mountain. It was stunning!

This image uses 2 focal lengths to create a more natural (to what your eye sees) scene. The mountain was shot at 24mm and the sky at 50mm The human eye sees at roughly 50mm.

September

gullfoss mist
Nikon D810, Sigma 24-105mm, ISO 64, F/11, 0.3 seconds at 52mm

Iceland

Depending on where you are in Iceland, one of the biggest challenges can be shooting so that you don’t get other people in your shot. In the southern region there are more people simply because it’s closer to the capital, Reykjavik. Here at Gullfoss waterfall this was sure the case. Probably at least 1000 people here while we were here. What you can see here is all of them on both sides of me and up on the trail leading down to the falls. I loved the way the water was flowing over the falls and then the mist would shoot straight up along the rock walls into the air. I like to challenge myself when not so perfect situations present themselves. This was one of those times.

October

mountain waters
Nikon D810, Sigma 24-105mm Art, ISO 200, F/9, 1/30th second w/OS on at 105mm

Iceland

Our trip to Iceland spanned the last week of September into the first week of October. The first image I picked for October was a nice sunset with some wave action along the beach. After thinking about it for a while I realized it didn’t show the true Icelandic landscape. I wanted something that showed the more rugged side of the country as well as the changing weather. This image was shot near Snaefellsjokull National Park on the far west side of the island. As we rounded the corner of the road I knew I wanted to shoot this scene. I love the golden tones of the grasses and land while the snow-capped peaks rise up above. The waterfall looks like it’s coming out of nowhere and the little farm in the lower right corner really puts this into perspective.  One thing we noticed while driving around is that a lot of farms/homesteads were built near the bases of waterfalls so they could have fresh water. Yes, there are that many waterfalls in Iceland! They are everywhere.

November

reflected golds
Nikon D810, Sigma 24-105mm, ISO 64, F/10, 1/50th second at 24mm

Moab, Utah may not be known for it fall colors but if you look in the right places you will find some nice groves of Cottonwood trees. I had just finished up a workshop and had some free time when I started hiking down this little muddy creek/canyon. The water was very still and made a beautiful reflection against the blue sky. Sitting here simply enjoying this moment was priceless. I’ll always remember these trees and look forward to my next visit when I can shoot them in another way!

December

comet 46p over stagecoach
Stagecoach – Nikon D850, Sigma 14mm 1.8 Art, ISO 6400, F/2.8, 15 seconds. Sky – Nikon D850, Sigma 85mm 1.4 Art at F/2, ISO 8000, 5 seconds. 

At the end of the year, Comet 46p graced us with its presence. It wasn’t an epic comet with a big long tail like others before it, it was just a nice green dot in the sky letting us know we are not alone. At only 3/4 of a mile across and 7.2 million miles from Earth, it’s amazing that it shows up this bright. This comet is ONLY 3 laps around a track wide. That’s not very big in the grand scheme of things when you think that Jupiter could hold 1300 Earths. What a great experience for those who go to see Comet 46p to finish of the year. This image was taken behind an old stagecoach building in rural Colorado on Dec 7th, 2018.

 

2019 should be a year of just as much fun. I have a lot planned this year and tomorrow I am starting the year off right with a trip to the Oregon Coast. I look forward to catching up with everyone soon and please feel free to contact me directly using the form below.

I hope you find these links helpful.

Darren White Photography

Sigma Lenses – See these amazing high quality lenses and all their info

Night Photography Workshops in Colorado, Yellowstone, and Moab, Utah – Take your night photography to the next level and beyond.

Nitecore Lights for all your needs – The only lights I trust while out playing in the dark.

 

January 2019 Oregon Coast Winter Photography Workshop – SOLD OUT!!!

 

 

What – Oregon Coast Winter Photography Workshop with professional landscape photographer Darren White.

Where – Yachats, Oregon – Overleaf Lodge and Spa

When – Jan 11th, 12th, 13th, 14th 2019

Weather – Unpredictable. Chance of sun and storms or both.

 

Sunrise/Sunset Times

7:50am/5pm each day  

The Oregon Coast is a good location for both sunrise and sunset times of the day

 

Who should sign up?

Anyone who wants to expand their photographic skills both in the field and on the post processing side for landscapes. 

 

How do I get there – If you are flying in, Portland will be your closest international airport and then it’s only a 3 hour drive to the Overleaf Lodge and SpaEugene is just under two hours from Overleaf, if you can find a direct flight into Eugene. The drive is spectacular and shorter.

 

How many people?  6 students and Darren as instructor. This allows personalized attention so that all your questions get answered. 

 

Do you want to visit the Oregon Coast and learn how to take your beach images to the next level?  Then this is the workshop for you. 

During the workshop we will discuss proper exposure, shutter speeds for various effects, depth of field, composition, and much more. 

Post processing instruction will also be included as part of the workshop. Combining in field instruction with post processing will bring this workshop full circle. 

Darren’s goal is to make sure all your questions are answered and your learning experience is fun. As part of the processing instruction Darren will share with you his simple workflow as well as other ways to process your images.

Bring home more than just snapshots. Bring home images you will want to hang in your home. 

Darren has been photographing the Oregon Coast for over 20 years and has extensive knowledge that will bring your images to life. 

 

Equipment required –

Digital Camera – SLR, Point and Shoot, Mirrorless

Laptop with Photoshop and Lightroom installed

Rain Gear

Tripod

Comments and Questions for discussion

Positive Attitude

 

Locations we may visit 

Thor’s Well

Cape Perpetua scenic overlook

Cape Perpetua

Yachats Beaches

Seal Rock

Neptune Beach

Depending on weather we may travel north or south to find good weather.

Thors Rush

 

 

What’s included? Cost $1599 Per Person or $2599 for couples if both people are taking the workshop and sharing a room

3 full days of in field photography instruction (see below for schedule) 

3 nights lodging in an oceanfront room at the luxurious Overleaf Lodge and Spa  Jan 11th, 12th and 13th. Checking out on the 14th. 

3 Breakfasts provided by the Overleaf. http://www.overleaflodge.com/breakfast/

2 days classroom training – Post Processing instruction. Friday & Saturday Evening Wine Tasting Receptions back at the lodge presented by local Oregon winemakers. (Specific wineries TBA)

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What’s not included?

Transportation

Lunches and Dinners

Airfare

Spa treatments

Travel/Camera Gear Insurance!!                                                                                                    I can not recommend this enough. We are working in and close to the Pacific Ocean.  While I care about you and will do everything to keep you safe, the ocean does not care. You will thank yourself and have peace of mind if you know your camera gear is insured. If you are just a hobbyist then something as simple as a rider on your home owners policy may be enough. If you are a photographer who has a business then you may want to take out a separate policy. Check with your insurance agent to be sure.

 

What does the schedule look like – all times are aprox and subject to change.

Friday Jan 11th,  informal meet and greet in the lobby at 1pm with hotel check in at 3pm and a sunset shoot from 3:45 – 5:30pm

Saturday Jan 12th meet at 6:15am and drive to our location for sunrise.  2hrs classroom training around noon before meeting for our sunset shoot at 3pm

Sunday Jan 13th same as Saturday

Monday Jan 14th meet at 6:00am for a sunrise shoot, quick group discussion and then back to the hotel to check out by 11am..

 

What happens if it rains the entire time?

Generally speaking the weather along the central and southern Oregon coast is much better than the north coast in the Winter months

I was in Yachats and Bandon over Christmas last year and we had beautiful weather… Crazy I know…

I also like to be flexible as often times the weather will come and go and I like to take advantage of those times when we can shoot.

If the weather just will not let us shoot, we will have more classroom training that can be covered on post processing to help fill some time.

 

Cancelation policy –

If you cancel by Nov 8th 2018 you will be refunded your full amount less PayPal fees

Cancel between Nov 9th and Dec 8th you will be refunded 50% of your investment.

Cancel between Dec 9th and Jan 7th you will be refunded 25% of your investment.

No refunds will be given after Jan 7th or for no shows.

 

Where is the added value?

What a great question. In addition to getting 3 full days of photography and instruction along the scenic Oregon Coast this is the perfect opportunity to enjoy a wonderful vacation as well.

With lodging included, you can bring your significant other and enjoy quality time from your ocean view balcony when you’re not shooting. The short winter days in Oregon (sunrise at 7:50am and sunset at 5pm) allow you to have a nice breakfast and dinner with your partner. The Overleaf Spa has a variety of therapeutic treatments that one can indulge in, steam rooms, sauna and two hot soaking pools that has windows looking out to the sea. The town has some neat shops and eateries to enjoy as well.

The Overleaf lodge is the perfect place to spoil yourself without the extra cost of lodging…I am covering that! Another benefit to visiting the Oregon coast in the winter is less people. In recent years I have seen the number of people skyrocket in the summertime, making it almost too crowded for these small coastal towns… Winter is the perfect time to get away and not have to feel crowded both in town and on the beaches.

The learning doesn’t stop after the workshop. I will always be available to answer questions via email or phone. So if you have questions when you get home or get stuck in a process, just ask.

 

Each person in the workshop will also get a 24 inch fine art print of their favorite image taken during the workshop. I will also do a full evaluation of the image file before going to print so that if there are any issues they will be fixed before printing.

Sunrises, Sunsets, or Coastal Storms, this can be a great opportunity to learn, meet new people, and have a lot of fun.

Cygnus over Neptune

 

One last thing – bonus bonus

Because the days are so short that means the nights are longer and if you know me you also know I am a night photography instructor as well.

If the weather is clear I will be going out at night to photograph the coastline and if you are so inclined you are more than welcome to join me and learn about night photography too.

I have some neat tips and tricks I like to teach to really help bring those night images to life… 

 

If you would like to sign up or would like more information please use the contact form below and I will be in touch as soon as possible. This workshop is limited to only 6 people.

 

Simplifying Night Photography

gear

As a night photography workshop instructor over the last 5 years I have seen a lot with our students. I have seen very happy students and I have seen, at times, very upset students. 99% of the time, if they are upset, it’s because they don’t know their gear well enough to work with it in the dark. This is not a bad thing, it’s just part of the learning experience.

I am writing this today to help ease some of that frustration. I am writing this to help ease some anxiety you may have because you want to get into night photography but at the same time you are scared you don’t have the correct gear.

Today I am going to tell you exactly what you need. That’s it…I run a no BS approach to photography. I wont sugar coat things, I wont say they are OK if they are not. Why accept somethings that’s OK only to get home and find out that it’s not. Unacceptable.

YOU ONLY NEED 3 things, 2 really, to begin your quest as a night photographer.

  • Digital Camera  with at least an F/4 lens.
  • Tripod – Med sized to full size will work fine
  • Remote cord – Optional

Surprised?  I thought so. Let me explain

Camera and Lens – This is where you will adjust your settings and capture your images. You don’t need a 40 or 50mp camera to get good night images. You simply need a camera. Any camera that can expose for 30 seconds will do the trick as long as your lens is F4 or faster, this means that it could be a 2.8, 1.8 or 1.4 lens. If you are just starting out and don’t want to spend a lot of money get an F4 or 2.8 as they will work just fine to capture images. I use an F4 lens for some of my work and have no issues. I also use a 1.4 sometimes.

Tripod – This is what holds your camera steady while your shutter is open. I suggest a tripod that does not have toothpicks for legs… Really, you think your camera will hold still on toothpick legs, it wont! If you do have a tripod that has very thin legs then I would simply suggest that you do not extend them and shoot with the legs fully collapsed and close to the ground to hold the camera as steady as possible.

Remote Cord – Optional – Why optional? Because your camera has a shutter button that you can, believe it or not, press down with your finger or thumb if you like. Seriously, it works, try it. If your camera is on a stead tripod and the tripod is tightened down so that the camera does not move then yes, it’s ok to use your finger to press the shutter. I personally like the remote cords that connect directly to your camera and not the wireless ones. Why? I have never seen anyone have issues with a remote cord that connects directly to the camera. I see people all the time fuss about because their shutters are not going off because they can’t get their wireless remotes to work. I have also seen a lot of people who try to program their intervalometers on their remote cords even when they have a camera that can do exactly what they are trying to do. If the camera can do it, let it do it. Unless you have a very specific need and need to take a long series of images that are over 30 seconds each you do not need an intervalometer. You can simply set your camera to any exposure time 30 seconds or less and press the shutter on the remote cord or camera and it will take the image. If you need to take a series of back to back shots just change the setting on your camera to continuous mode and press and lock the remote cord button. It will now take as many images as you like until your memory card is full or you release the shutter.

Let’s review.

You need a digital camera that will allow for exposures up to 30 seconds long.

You need a tripod to hold your camera steady

You need a remote cord if you wish to take back to back images for a series.

 

DO NOT get caught up in the gear game. You simply don’t need that much stuff. So now you’re looking around your room thinking, hmm, I have a camera, I have a tripod and he said I really don’t need a remote cord so I think I’ll go see if I can take some pictures of the night sky or even a city skyline at night.

Pro Tip – Set your camera on Manual mode, change your ISO to 6400, set your lens to the widest it will go, ie, 2.8, 4 or 1.4, set your shutter speed(exposure time) to 30 seconds and shoot. These are starter settings. If the image is too bright then you can cut your exposure time or ISO down.  For information on how to focus in the dark please visit our website at www.nightphotographyworkshop.com

Shooting With Film Again

IMG_1894

1991 – High School

Good times for sure. Lots of friends, no internet so we had to talk to each other to communicate. My sophomore year I joined the yearbook and newspaper teams as a photographer. I spent a good portion of my days in the darkroom filling orders for the copy teams, developing film and making prints. I loved it. I got to work on my own or with 1 other person and didn’t have anyone telling me what to do.. As I look back on it now, I really consider it my first job. I was in charge of the darkroom by my senior year.  I made sure things ran smoothly and that prints and images were ready to go on time. We had deadlines to meet.

I graduated HS in 1993 and began college. I entered some images into our local County Fair and took first place in all the categories I had entered. After arriving back home from a trip to Montana my mom told me that the owner of our 1 hr film lab wanted to talk to me about a job. I was very excited…I had wanted this job for a while but was turned down about 6 months earlier. When I asked my mom why he wanted to talk to me now, she said that he saw my work at the fair.

I went to work at the photo lab for about 3 years  saving all my money and I was finally able to purchase my first Pro camera (Nikon F4s).  While working there I was also doing some sports photography for our local newspaper that just happened to be across the street. I did that for about a year. My real love was photography for me, for my soul, not working for someone else. The money and benefits weren’t good enough at those jobs so I had to grow up and get a real job…..with benefits. Photography kind of went by the wayside for many years…

In that time digital cameras had hit the market in a big way and changed photography. I jumped on that bandwagon and am still riding it today. I love photography in general. Digital is great, fast paced and fairly simply given my background with film. I was no computer wizard so that was the tough part of the learning curve.. Film went bye bye, I wasn’t working in a darkroom or making prints anymore. I felt as though something was missing from my life. The years went on, I moved a few times, had a few more real jobs, got married and had a child…

2016 – 41 yrs old and I’ll be dammed if I can’t do what I want when I want…

I want to shoot film again, I want to make pictures and I want to develop my own film – I knew this would not happen overnight. First, after deciding that I wanted to shoot film again I also knew that I wanted to shoot Medium Format as well as 35mm.

IMG_1412

Choosing a Medium Format camera that I felt was a good fit for me took a little while. I did not want a fixer upper but I also did not want to spend an arm and a leg – remember I have a family.  I finally decided on the Mamiya C330f – Twin Lens Reflex. It shoots 120mm film and each negative is 6cm x 6cm which is quite a bit larger than 35mm. I had never shot medium format before as well as I had never shot a camera that did not have a light meter built in. Now with a camera and some film I am ready to go.  I get out there and all set up and now I am not sure how to meter the scene. Good thing I had my Nikon D810 with me. I set all the settings the same and used it to meter the scene. This worked pretty well  but if I am going to be honest it was a bit of a hassle to have another camera just for that.. A month ago I purchased a handheld light meter that does a great job. Sekonic 308 because it was small, decent price and offered both indecent and reflective light metering.

After having a few rolls of exposed film I needed to get them developed and since I did not have the proper chemicals at my house I took them to Englewood Camera to be developed. I have created a nice working relationship with the employees there and they have always done a great job with my work.

IMG_1634

Now that I had some processed film and paper to print on, I was ready to get back into the darkroom and start making prints. Well there are not many darkrooms left that don’t want either an arm or a leg or for you to bring all your own stuff i.e chemicals. After a little research I found a place up in Boulder, Colorado that offers darkroom rentals for a very reasonable price. I rent it for 3hrs at a time and this allows me enough time to get a fair amount of work done.

IMG_1644

With the camera, film, a lab to process the film and a place to make prints I am pretty well set up to begin producing my own prints again. Over the last year since acquiring the camera I have had a lot of fun buying new films, light meter and chemicals so that in the very near future I will be doing all my own developing at home. I am not sure I will ever have a place where I can make prints at home and I am OK with that. I am simply very happy I have all the tools in place to begin this journey again.

Last week I took advantage of an expired film sale that Englewood Camera had. Some of the film has been expired for almost 40 years. I just shot a roll of black and white the other day that was expired 18 years ago and after getting it developed it looked really good…no light leaks or fogging. I will be printing from those negatives tomorrow.

 

So by now you may be asking yourself, “Why is he shooting film again?” and the answer is very simply. It slows me down, makes me think and let’s me appreciate what I am shooting/doing. From setting up the camera, getting a good focus, checking the light, taking the image, getting the roll developed and then choosing the best image to print can be a time consuming process. The center print above of Yosemite Falls was taken last summer while on vacation with my daughter. Starting next week I will be doing some scans of the images and while I plan on doing scans to post online. I am not going to do any prints from the digital scans unless I get an order for one that is bigger than I can print myself.

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As of right now I can print up to 16×24 directly from the negatives. If I were to do a drum scan of the negative then the native print size at 300dpi would be 60×60 inches.  Yes, that is the power of shooting Medium Format film. In digital terms that would mean your file would have to be 18,000×18,000.  As soon as our living room is done being painted I will be printing an image 36×117 inches that is a panorama from my digital camera. The file size is 24089×7379.

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For me personally, this is something I loved to do as a kid and something I want to enjoy again. The images that I produce wont be available to the masses. Not everyone will have one and more than likely not more that 10 prints will ever be made from the same negative. From start to finish I will have my hand on the process the entire way. The images that I create on film will not be the grand landscapes you see from me today. I will be shooting people, cityscapes, close ups, abstracts, patterns, textures, shallow DOF ect…. I love shooting landscapes, big, colorful landscapes and now I want to incorporate images that tell more of a story and really make the viewer think about what they are looking at or the story that goes with the image.

I hope this gives you a little insight on what is coming up for me in the very near future. Do I plan to give up digital?, No. Just planning on shooting more film along the way.

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Be sure to contact me directly if you have any questions or just want to talk about photography. You can also find me on the interwebs, FB, IG, and TW..

Sigma 20mm 1.4 Art lens

 

The first time I used this lens back in May 2016 I fell in love with it for a couple of reasons. The focal length, 20mm, is a real sweet spot for both landscape photographers and night photographers as well. Fast 1.4 f stop. While we don’t tend to normally shoot at the widest f stop on a lens having a 1.4 really gives you some breathing room when it comes to exposure and sharpness.  Let’s say you are doing night photography and you have a Rokinon 14 2.8 and you have a Sigma 20mm 1.4 Art Lens. The scene you are shooting is very dark  with only minimal light. with the Rokinon you may have your camera set at 6400ISO for 30 seconds in order to get a good exposure but you find that your images are coming out fairly noisy at that ISO. With the Sigma 20mm you could shoot at F 1.4 at ISO 1600 for 30 seconds and get the same exposure value. Now while the sigma does offer an amazing 1.4 f stop, it’s rare that I would shoot at that for my work. Generally speaking the widest f stop on any lens will also give you the least quality. Shooting at 1.4 would be very fun for some up close daytime stuff where you are feeling a bit artistic or even at night when you don’t mind of the stars are out of focus and you just want to focus on your foreground subject…  I have found that the real sweet spot for this lens is right at F2 or F2.2 depending on what I am shooting and the available light. Which is still quite a bit faster than a 2.8 lens.  In the images I will be sharing with you, you will be able to see the data for the lens used. I shoot this lens between 1.8 and 2.8 when I am shooting at night.  Enough talk, let’s see what I am talking about. The first set of images are multi shot panoramic images I captured with the Sigma 20mm. 1.4. Because of the extremely low distortion it makes stitching the images very easy.

 

This next set of images were taken later in the Summer when the Milky Way rising up overhead instead of low on the horizon. These are vertical panoramas all taken with the Sigma 20mm 1.4 lens.

Each of the images below were created using either multiple exposures or single long exposures.

The final set of images I would like to share are just simple single exposure, shorter exposures and general photographs taken with the wonderful Sigma 20mm 1.4

If you have any questions at all, please don’t hesitate to contact me. I will be happy to respond. Thank you.

2016 – A Year In Review

It feels good to sit down with a little free time and finally write this blog. As bad as I wanted to write this before I left for my trip on Dec 21st, 2016 and just get it out-of-the-way, I am glad I waited. One of my favorite images of the year was captured on New Years Eve in Bandon, Oregon. Taking 2 weeks away from the chaos of the holidays was the perfect way to end the year and cleanse my mind. I spent my time along the Oregon Coast and the weather was really nice for December.

I am doing this a bit different from most other photographers. Many photographers simply pick their favorite images of the year. I am going to share with you 2 images from each month. That being said, obviously some will be much better than others simply because there are certain months of the year when I don’t do as much in the field.

January – Starting the year off with a bang broncos-win-afc-championship-game-20161

Holy Cow! If you were a Denver Bronco Fan then your year started off pretty dang good when they beat Tom Brady and the Patriots to win the AFC Championship and head to the Super Bowl. I had 2 options. Buy a ticket to the game and get a shot from the inside or find this vantage point and hope they won. Including myself there were only 3 photographers who had this view and only 1 other photographer who got a shot similar to this. We were on the overpass (in a pedestrian walk area) getting live updates from our phones so that we could time our shooting so we did not miss the fireworks. The fireworks only lasted a couple of seconds and they were gone. Given all the back story to this image, this is a once in a lifetime shot. Peyton Manning’s last game in this stadium. The last time he would ever play against Tom Brady. Peyton Manning retired after winning the Super Bowl. Exif Data – Nikon D810 – Sigma 24-105 @82mm, 64 ISO, F16, 1/4th second. Multiple images at these settings combined to make the final image.

rustic-winter-morning

Steamboat, Colorado is such a beautiful small place. I had been wanting to photograph this old historic barn/cabin for several years and the right conditions never presented themselves when I could go. After learning about a massive snowfall and then a day of clearing, I took my chances, I arrived in the middle of the night and simply waited for this light. Sunrise this morning was a bust, it was very foggy. After a couple of hours the sun had come up and the fog had lifted. I feel blessed to have shot this with no footprints or any signs of people. What drew me to this particular image was the shadows and lines in the snow. I also loved how the wood grain of the barn contrasted so nicely as the sun was hitting it. Exif Data – Nikon D810 – Sigma 24-105 @62mm, F9, 64 ISO,  1/250th second.

February balanced-rock-mono

Balanced Rock is an iconic location in Colorado’s “Garden of the Gods”.  From the parking area the rock really doesn’t look like it’s going to tip over because the base seems so much larger. I was set on trying to find an angle and vantage point that was a bit more dramatic. Something that would really give the viewer the illusion that it was ready to fall at any moment. Even walking around while standing up was different from getting low to the ground, as I did in this shot. I used the widest lens I had, got very close to the ground and shot the image looking up. I waited for a few minutes until the clouds were right over the rock to add a bit more drama to the overall image.  Exif Data – Nikon D810 – Rok 14mm, F11, 64 ISO, 1/20th second.

sunrise-trees

No scene is ever the same twice. This is 100% true when speaking about landscape photography. If you see something you like, you better shoot it now because it will be totally different when you come back. I was actually on my way to another location when I was driving into Chatfield Lake State Park near my home here in Colorado. I saw the sky blowing up with color through the trees and I had to stop and get this shot. It took a moment to compose it to my liking and while this image doesn’t have a huge impact at this smaller size. Imagine it as a very large print in the 50×50 inch range. Exif Data – Nikon D810 – Sigma 24-105 @105, F5.6, 200 ISO, 1/160th second

Marchoregon-storms

A typical, classic overcast day along the Oregon Coast. I had spent most of the morning hiking around the various areas of Cape Meares and I could see a big storm rolling in out over the ocean. As I made my way back up the trail I found this scene with the layered clouds and seas that were just starting to get rough. The color version looks black and white with very little contrast. I decided to just go with the Monochrome on this one and bring out the drama I was seeing with my own eyes when I shot the image. Exif Data – Nikon D810 – Sigma 24-105 @68mm, 64 ISO, F8, 1/80th second

sunset-circle

Ahhh, those springtime sunsets. The ponds have thawed, there are still some clouds in the sky and the colors are so unique. When I was walking around the pond I couldn’t quite find the comp I was looking for so I decided to do a panorama image of the entire scene. My results fascinated me. I never expected the land to be perfectly level with the clouds forming a circle in the sky and reflection. I believe this is a 5 shot vertical pano covering 180 degrees as I am looking north. The clouds were the reason I decided to pick this image. Exif Data – Nikon D810 – Sigma 24-105 @24mm, 100 ISO, F8, 1/2 second.

April

rainbow-from-red-rocks

I live 11 miles from Red Rocks and when I am home and there are no concerts going on this makes a nice vantage point to get above the city. I could see these clouds building up and was actually going up there for sunset. The weather in Colorado is crazy, don’t let anyone tell you different. As the sun began to set behind us and this cloud started pouring down rain, this gorgeous rainbow appeared. This lasted for about 3-4 minutes before the clouds behind us got dark and angry. We barely had time to get to the car before the lightning was striking all around us and hail was pounding the ground.  Exif Data – Nikon D810 – Sigma 24-105 @105, 64 ISO, F8, 1/320th second.

milky-way-rainbow

The Milky Way Rainbow over the Paint Mines near Calhan, Colorado. Away from the town of Colorado Springs far enough to take advantage of some really dark skies is a beautiful place known as the Paint Mines.  We timed this image so that we could get the full moon rising a couple of hours before sunrise. This image showcases a few different things. A full 180 degree Milky Way. Roughly 8 images were used for the panorama sequence. The full moon rising under the Milky Way, the Milky Way bubble with the Lagoon Nebula and a very very rare siting of Comet 252p/linear. I am not sure if you can see that on this image but during April many photographers were noticing a small green dot in their night images. After doing a little research I found out that it was indeed a comet. Exif Data – Nikon D810 – Rok 14mm – 3200 ISO, F2.8, 30 seconds.

Mayblack-ponds-1

During one of our workshops in Grand Teton National Park. While our Night Photography Workshops focus on shooting the night sky, we also like to allow our students to take advantage of sunset conditions when they present themselves. We could see this forming for miles. We arrived at this location with our students and it was fun to watch them all scatter and find a good vantage point. Mike stayed up top with some of the students and I went down along the creek with the rest and then the sky just started lighting up and put on a show for about 30 min. It was one of the most incredible sunsets I had ever seen. When we all gathered back at the cars we were all just speechless. It was a great bonus for our students to get to see such an amazing sight in such an amazing place. Exif Data – Nikon D810 – Sigma 24-105 @35mm, 64 ISO, F8, 1/15th second.

my-million-star-hotel

I’m not sure there is a better place to get a good nights rest. This particular night I went out with 2 other photographers down to 11 mile reservoir west of Colorado Springs, Colorado. We knew our timing was perfect for the milky way shots we wanted to get. One of my friends decided to bring his yellow tent. Towards the end of the night we decided it was time to set it up. The Milky Way was in the perfect location in the sky for the shots we wanted.  Many people will argue that this is a composite image or multiple image blend but I can assure you this is a single exposure. We used some creative lighting techniques to properly illuminate the tent from the inside and the longer, blurry stars in the water are simply from the water moving a little bit during the exposure. Exif Data – Nikon D810 – Sigma 24mm 1.4, F2.2, 1600 ISO, 30 seconds.

Junebleeding-light

Vacation time with my daughter. We set out on a 6 week road trip, traveling through many states and national parks. We left our home in Denver and drove straight through to Yosemite NP in California. Crazy I know. It was her idea. I will openly admit I had never been here before and I had not planned out any places to shoot. I wanted to experience it with fresh eyes and no set images I wanted.  We car camped up at Glacier Point that night and what a great experience that was for her. My daughter loves car camping. It was a crystal clear night, billions of stars to see. The next day we wandered around the park in the early hours after sunrise and I found this scene. I loved the way the light was beaming down behind the rocks yet in the middle of the scene. Exif Data – Nikon D810 – Sigma 24-105 @90mm, F7.1, 64 ISO, 1/320th second.

coastal-clover-sunset

As much as I love the Oregon Coast all year-long, there is one thing that makes Summer that much more special. The clover blooms along the beach. When you book a room at either the Overleaf Lodge and Spa or Fireside Motel these blooms are right our your front door on the beach. I happened to be here at peak season and they were beautiful . There was a very thin haze in the sky which made for a very colorful sunset in spite of the fact that there were no clouds. Exif Data – Nikon D810 – Sigma 24-105 @52mm, 200 ISO, F13, 1/80th second

Julydelicate-explosion1

Delicate Arch, Moab, Utah, Arches National Park with the Milky Way bursting out from behind. I had tried this shot on many occasions and was bound and determined to get it right. I knew it could not be done with 1 image so I started looking around for software programs that would zoom the stars for you. I didn’t find any that I thought gave good results. One night while out shooting I decided to use my zoom lens and do a longer exposure while zooming the lens. It worked. It took me a few tries to get it like I wanted but in the end I had the stars just how I wanted. I knew I could then shoot the arch and blend to the 2 together. For those of you who have been up to Delicate arch in the summer, you know the Milky Way does appear right behind the arch. It’s quite a sight to experience. I was happy to be able to make my vision come to life with this image. Exif Data – Nikon D810 – Sigma 24-35 @35mm, F2, 3200 ISO, 20 seconds

colorado-morning

Rocky Mountain National Park, 90 miles from my home. This particular morning I was scouting for Elk in the meadow and I noticed these clouds forming over the mountain. I walked along the stream to find a decent comp where I could include the foreground rocks under the water. A short exposure freezing the water would not allow the viewer to see the rocks. By using a slightly longer shutter speed the water moved over the rocks during the exposure and allowing them to be visible. When I took this shot I remember thinking how nice it was the way the clouds expanded from the mountain covering the entire sky of my frame. Exif Data – Nikon D810 – Rok 14mm, F18, 31 ISO,  0.8 seconds.

Augustkolors-of-kansas

August was the month I fell in love with Kansas all over again. I used to visit all the time as a kid. We had (have) family that live there. I remember big hail storms in the summer and everyone running for cover. Broken windows, dented cars, ect… I met Barbara Mandrell in Kansas back in the early 80’s. Family got older, we quit going to the reunions and time passed. Then one day while scrolling through the internet I found this picture of an arch. An arch I had never seen before. When I found out it was in Kansas and only a 5 hr drive…I took off. Not knowing what to expect I figured I would get out there, see it and then turn around and come home. Quite the opposite. While the area is rather small and there are only 2 rock formations on the property, you can walk around all of them to get different views and angles, depending on what the weather is doing. I went out there twice  for a couple of days at a time and there was never a dull moment. massive thunder and lighting storms all night and epic sunrise and sunsets in the morning and evening.  This particular image was taken just as the sun was setting and these monster clouds were building. I kid you not. An hour after I shot this, we had major lighting bolts 366 degrees all around us. It was amazing. I left the person in here to give the area a sense of scale. Exif Data – Nikon D810 – Rok 14mm, F15, 64 ISO, 1/2 second.

milky-way-monsoon

And then it happened. This cloud produced serious lighting all night long. While most of it was internal it still lit up the cloud very nicely. Again, this is a single exposure image. There are a few areas of the clouds that look like they are layered and the reason that it looks that way is because the lightning was going off multiple times during the exposure so the clouds were in very slightly different positions, therefore, showing the movement of the clouds. This was only the second time in my life where I had a chance to witness a storm cloud and lighting with the clear sky above. The previous time was up in RMNP and I was already at 11k feet. This image in Kansas was taken at sea level. Exif Data – Nikon D810 –Sigma 24-35 @24mm, F2.2, 1600 ISO, 30 seconds.

Septemberwindow-to-the-heavens

Mike and I plan our workshops roughly 9 months in advance. After looking at the dates for our final Arches workshop in 2016 I began to do a bit of research. I had been to this location several times for sunrise or sunset and even one time at night by myself. None of the images I go turned out like this. This was the image I wanted. I had been dreaming of this image for about 3 years. I quickly checked the position of the Milky Way and knew it would be lined up perfectly. I knew with both instructors we would have enough light panels to properly light each of the areas of the arches. We made the suggestion to our students on what was a crystal clear night and they jumped at the chance to do this. We had 2 students from Austria who were very excited about this location and were asking me about it even before the workshop started. Working together with other people to create an image that is rarely seen sure is a nice treat. Mike worked with one group of students back at Turret Arch and I worked with another group at this location. By using walkie talkies we were able to do test shots until we got the lights in just the right spot. We let after my group got their shots, we let the groups switch locations so that everyone who wanted a chance to shoot this got it. Exif Data – Nikon D810 – Sigma 24-35 @35mm, F2, 3200 ISO, 25 seconds.

oxbows-autumn

Grand Teton National Park, Jackson, Wyoming. Mount Moran reflecting in the very calm Snake river as the fall colors line the banks. When shooting this location ( and I have many times ) it’s amazing how just a few steps this way or that way can really make a difference in your composition based on the way you’re facing the mountains. We generally schedule our final workshop of the year in Grand Teton National Park. We are able to take advantage of the late summer Milky Way as well as the fall colors. When we have ambitious students like we normally do, it’s not uncommon to show up at class in the afternoon and hear how awesome their day was shooting the sunrise. We really like that they can take advantage of the other wonderful scenery as well as the gorgeous night sky. Exif Data – Nikon D810 – Sigma 24-105 @105mm, F5.6, 64 ISO, 1/250th second.

Octobercrystal-mill-fall-sunrise

I have a 4×4 Jeep but it’s not really suited for the kind of driving needed to get up to the infamous Crystal Mill near Crystal, Colorado. So, when a group of friends asks you to go along for a weekend of shooting and camaraderie up in the mountains, you don’t say no. Even better was the fact that we were going during the fall colors and we had a cabin right across the street. I had seen a billion shots of this mill and knew I wanted something at least slightly different for my own. Anyone who has been here knows that it’s a pretty cramped location. You can just pull out a 35mm lens when you’re down near the water and get the whole scene in the shot… I mean that mill is right there in front of you looking down on you.  I used the widest lens I had at the time and did a sequence of about 7 shots to get this more than 180 degree pano and still include the entire stream and the sky. I had to leave a day early  and when I left there was a nice storm blowing in and the next day all the fall color was gone and the trees were bare. Hearing that made me even more glad that we arrived when we did and not put it off till the following weekend. Exif Data – Nikon D810 – Rok 14mm, 7 images, F22, 64 ISO, 1/20th second.

pumpkin-spiced-aspens

After getting back down to my Jeep I knew I had the whole day ahead of me. I wasn’t in a rush to get home. I took my time wandering around Colorado and enjoying the fall colors. We stopped in Crested Butte and had lunch at Secret Stash Pizza. So good. Highly recommended when you’re in Crested Butte, CO. After some pizza I continued on my way home, again not in a hurry. I was getting close to Buena Vista when I saw a sign for Cottonwood Lake. I had never been there before and decided to drive down the road to see what I could find. Well, let me tell you, that entire area is great for fall colors. As I was looking for a nice grove of Aspens I also knew I wanted some color mixed in. By this time the sun was getting low on the horizon and the road, which is pretty much just a canopy of Aspen trees wasn’t letting much light in. I was almost to the end and I looked to my left and saw these nice Aspens with some nice colors mixed in. I quickly  grabbed my camera and took 2 shots before the light totally changed the entire scene. Exif Data – Nikon D810 – Sigma 24-105 @105mm, F7.1, 200 ISO, 1/40th second.

Novembertree-trunks-in-the-sunset-light

One of the things I always tell people is that the light is never the same twice. Even if it looks close, it’s not. Your camera will read it differently each time. These trees are generally pretty ugly and not much to look at. I walk around this pond where they are located often, usually not seeing much to shoot. This particular evening happened to be different. The light was low and soft. Some fall color still remained and the way the light was hitting the grasses really struck a chord with me. I carefully composed the image with the trees offset so that nothing was centered. I wanted the viewer to be able to look around in the image yet not go out of the frame. By keeping a tree on each side I feel I accomplished this. I also liked the layers this image offered. From the golden grasses to the reds and then back to the sunlight coming in from the top. I felt as though there was just enough depth to make it work. Exif Data – Nikon D810 – Sigma 105macro, F2.8, 64 ISO, 1/50th second.

hallett-nights

Hallett Peak from Bear Lake in Rocky Mountain National Park. Yes, I like to shoot at night when it’s cold. Not only do the skies seem clearer but the cool temps also keep your sensor from heating up too quick and adding excess noise to your images. This image was actually shot as we were leaving. We had been shooting from the other side as the moon was rising and lighting up another mountain. As we were leaving I noticed the partially frozen lake and thought that might make a nice foreground in addition to the stars in the sky. As you can see here this is a late in the year Milky Way image. The Milky Way has already flipped over and is now leaning  slightly to the north.  Exif Data – Nikon D810 – Sigma 24-35 @35mm, F2, 3200 ISO, 30 seconds.

Decemberpolar-express

The Polar Express – Durango, Colorado. This gorgeous steam engine is historic yet well-kept up by the Silveton Durango Narrow Gauge Railroad. You can hear it all over town when it’s running and on a cold winter morning the steam is really thick and there is lots of it. When you are on a family trip it makes things a bit more difficult to get a particular shot you may want. Adding to that the schedule of the train and it can be near impossible. One afternoon before we went to lunch I asked when the train was going to be coming back into the station?  They told me 2:45pm. That worked for me. As we were finishing up our lunch I noticed the sky getting darker as if there was a storm moving in. I went down to the tracks and found a good vantage point that would allow me to fill the frame with the steam engine. Just after I shot this it started pouring cats and dogs…I packed up my gear and found cover.  Exif Data – Nikon D810 – Sigma 24-105 @105mm, F7.1, 200 ISO, 1/500th second.

bandon-new-year-eve-light-show

Last but not least, the reason I waited to write this blog until after my trip to Oregon over the holidays. In the 10+ years I have been going to Bandon, Oregon I have only been totally skunked one time. Even when the weather is overcast you can still get some great shots. It’s simply a photographers paradise. I had been in Bandon for 4 days and didn’t have many clouds. I, personally, like clouds in my images. I am not a fan of clear blue skies unless I am planning on shooting the stars at night (I did some of that too). Just as my luck would have it the clouds started forming early on New Years Eve day. I could see it was going to be great. I just needed to find a nice comp that would showcase not only the clouds reflecting in the wet sand but also the depth of the beach.  I found my comp, made sure there was separation between the 3 middle rocks and then started shooting. I did some long exposures, short exposures, really long exposures, some with the water coming into the frame, some without out. While I am out shooting I generally will shoot though most scenes and then pick the best one when I get back to have a good look on the computer. Something about the waterline in this one as the wave stopped and then headed back out to the sea really caught my eye. I feel like when I am looking at this my eye initially sees the entire scene but then follows the white line through the frame. This lets the viewer explore more of what the scene has to offer. I couldn’t have asked for a better way to end 2016. Exif Data – Nikon D810 – Sigma 24-105 @24mm, F14, 64 ISO, 2.5 seconds.

As you can see 2016 was a great year. I had a wonderful time with my family in various locations as well as co teaching our night photography workshops. All of these images are available as Fine Art Photographic Prints, Fine Art Canvas Gallery Wraps, Fine Art Metal Prints or Fine Art Acrylic Face Mount Prints. I will offer special discounts to those of you who contact me via the contact form below.  Simply message me with the medium you would like, the image description and size. Thank you all again for your continued support throughout the years. If you have any questions, feel free to ask.

Thank you for taking the time to read my blog,

Darren White – Darren White Photography

What’s in my bag – Gear I use

I often get asked, “what camera and what lens did you shoot that with?” Generally speaking my answer is usually, “a digital SLR.”  A very vague answer, yes. Every photographer has a different goal with their work. We are not all going to print 40×96 images nor are all of us just going to simply post online. We photograph for many various reasons and I can honestly tell you that the best camera to have is the one you have with you.  I am seeing more and more magazine covers that have been shot with smartphones. Our phones do a pretty good job when we don’t have to make huge prints or we just want to share something to Instagram or Facebook.  Now try to print that same photo as a 24×36 and see  how it looks. Probably not so great. For me, personally, I need to make sure my images are clean, sharp and will enlarge without showing artifacts.

I feel safe in saying that 98% of all digital SLR cameras today do a pretty dang good job with image quality. When faced with basic daylight landscape shooting I think it would be very hard to tell the difference in an 12×18 print shot with 12, 16, 20, or 36mp camera. Blow that same image up to a 40×60 and now the difference will show.

Just like a construction worker needs the right tools for his/her job we as photographers need the right tools for our jobs, whatever that may be. While I do large format printing on a regular basis there are those rare exceptions like back in 2009 when I had a request from a company to print one of my images 5ft by 10ft as a backdrop for their exhibit. At the time I was shooting a 12mp Nikon D300 and needless to say the test prints were not coming back looking very good. I did some tweaking on my end and the printer did some tweaking on their end and we finally got it printed.

Below you will see what I am currently using with the gear list below the image.

bag-contents

Induro CTX 314 Carbon Fiber Tripod w/ BHL3s ballhead

Nikon D810, Nikon F4s, Mamiya C330f Medium format twin lens reflex

Sigma Lenses 15mm fisheye, 20mm, 24-35mm, 24-105mm, 35mm, 105mm macro

Nisi Filters 10 stop ND, 6 stop ND, Circ Polarizer, Blue/Orange

Nikon MC-36 cable release, Vello wireless remote trigger, Manual cable release for My Mamiya C330

Nitecore flashlights, Tiny Monster TMGT16, NightBlade MH25, MH27, EC25 Cobra

I am currently using Kodak and Ilford color and black and white films. I carry a couple microfiber cloths with me to clean my lens if I need to.

Joby mini tripod with F&V HDVZ96 16×9 LED Light Panel

Cabelas Multi tool pocket knife.

Kingston waterproof media card holders

Nikon Charger and extra battery

Business cards and sensor cleaning kit.

CaseLogic Kontrast DSLR backpack

Tamrac shoulder bag – I use this for my medium format gear.

I believe that is all the gear I currently have. It was good for me to do this as I am leaving for Oregon on Thursday and I needed to re organize all my gear in my bags.

If you have any questions please feel free to use the form below to contact me.